Puzzle "How can you love," she said, "People who did this?" I looked across the chairtop Down along her shoulder To the book flat in her lap. Her right hand lay Spread upon the text, A witness's on a Bible. The left page was a photograph, Antique, the image indistinct Until I moved my head, focusing My glasses for the range. It sprang to detail: The body of a man on barren ground, In chaparral. A distant tree. Two soldiers in attendance. And a saddled horse, reins dragging. A Matthew Brady look disclosed the picture's age. The corpse was naked, bearded, prone. Wounds ran down the thighs Like open zippers. On the torso, piled a jumble that I understood was organs. The face seemed poorly focused. Eyes? Black blots of shadow? Mouth? All wrong. Something Not a tongue lolled from it. I measured the meaning of a black mass Where legs joined torso. A hand, palm down, was fisted or truncated to a fist. "Savages," she whispered, like an oath. He's standing in, I thought to say, For men who sabred children, Men who fashioned keepsakes Of the breasts those children nursed. But I did not. I thought then, while she waited, Of Donatien Alfonse François, Philosophe and gentleman, Cause celebre de belles lettristes français: A hot wine flask, procured him By his doting wife, warming The pleasure that his hand massaged— Pleasure he could not complete Until he had imagined The imagined boy's head severed. Then his dribbling semen Mingled with imagined dripping blood, Oiling his real knuckles. I thought of Teddy Bundy, Young Republican and lawyer, Gentleman, raping his last victim, Parting her young hymen With the rhythmic plunging of a six-inch knife. I thought of Gladstone's England, The gentleman, a prince or prince's surgeon, Who for two months roamed Whitechapel, Laid his purchased lovers, Unlanded, undignified, and poor, Out on beds like luggage, Organs set about like unpacked Clothing, cluttering the bed; a kidney waiting for the bobbies in a kitchen pan. Civilization. I thought of lampshades, mangled Fetuses, and mounds of teeth for melting, Moans and quick, efficient silence, A Christian woman choosing from her children who should die. I murmured to her hair, Where she sat there, so patient, certain, waiting, that we take bad with the good. |